EcoMonday: What's a VOC?

You know that VOCs are bad for you. You might even know that VOC stands for Volatile Organic Compound. And you might even have worked your way past the fact that "organic" typically means something good, but that VOCs are to be avoided. So why are they bad for you, and how can you best avoid them?


Even charts that attempt to describe VOCs graphically can be confusing. Read on to find out more about VOCs.

VOCs aren't anything new. Speaking in broad terms of everyday household items, a VOC is anything that changes into gaseous form as you use it, after which it combines with other gases to contribute to ozone.
Not good, right?
Although you can't really avoid VOCs like methane, you can easily ensure that VOCs have a minimal place in your indoor spaces (The EPA estimates that indoor air quality is often five times worse than outdoor air quality, for obvious reasons: air comes into your home, but unless you've got a constant open-door, open-window policy, it doesn't always make its way out.)
At the Hub, we used low-VOC paints (water-based), and also rely on standards like those from Design for the Environment to ensure that our cleaning products are low-VOC. Our carpets and furniture are also low-VOC. We've also taken a hard look at the Green Seal to help us to hunt down cleaning and household items that allow us to be as ecologically sensitive as possible.

(Yes, it's true. Carpets and furniture, which end up making use of sealants, laminates, or adhesives, can carry a dangerously large amount of VOCs.)
Practically speaking, VOCs may not have short-term effects, although we know a girl who gets woozy at the smell of VOC paint and particle- and press-board. But studies have shown that career painters are susceptible to cancers that can be traced directly back to VOCs.
We buy low-VOC for many reasons, but the health of our employees and clients is top of the list. What types of measures do you take in your office for your employee and client health?
Find a full list of Design for the Environment-certified products here. And Home Depot's Eco Options program is a good source for hunting down low- or no-VOC paints.

Friday is Hub Day

We know, it sounds suspiciously like Hump Day. But it's not. See, Hump Day is Wednesday. Hub Day is Friday. Got it now?
No, we're kidding. That's not the only difference. Every Hub Day from here on in, we'll post something here that rotates around our core values. We want you to get to know us, and we want to get to know you. Please, feel free to post comments.
Today, we'll tell you a little bit about some of the art in our space.
At our CityView offices, we're very fond of our Calder room, which we'll focus on today.
There were three generations of Calders, all with ties to Philadelphia, but probably the best known was the youngest of the Calders, Alexander, also known as Sandy. He confined himself not to working in one medium, like his father and grandfather before him, but stretched his limits to work both in two-dimensional and three-dimensional art.
In fact, Calder is the inventor of the mobile. You know, that thing that hangs over a baby's crib? It got its start as a piece of high-concept art.

Not this...


...but this!



In the Calder room, which seats 10-12 people, you'll be greeted by two works of Calder art.
Red Moon, Black Sun (1968) is a lithograph. We like it for many reasons, but we like to think of a young Calder in one of his first jobs out of college as a fireman on a boat. One morning, he woke up on the deck of the ship, which was docked just off the Guatamalan coast, and saw both the full moon and the rising sun. It was a motif that would inform much of his art.

"Our Unfinished Revolution" is from 1975, and is actually a cover from Calder's book of the same name.

Calder's life was peripatetic. He went from Philadelphia to Roxbury, CT; from there to Paris; from Paris to New York. His artwork meandered, as well; from paints to steel to wire and into the realm of jewelry. He is by far one of the most versatile artists we know of.
Perhaps it's for this reason that we chose Calder for this room. When you're here, we want you to think in terms that are as varied, as wide-ranging, as Calder was. We want you to feel energized, to come up with solutions and ideas that are innovative and creative. And although we don't guarantee that result in the Calder room, we think you'll feel just as inspired by his work as we were.
One more thing: Calder was also a huge fan of the circus. That could be part of the reason that much of his work was so playful-looking. We encourage that, too: Approach your work with as much enthusiasm as you would play, and that, we think, will have a terrific effect on your meeting.
To take a virtual tour of our Calder Room, click here. To find out more about Alexander Calder, visit the Calder Foundation on the web.